FLAGSHIP POWER. DESKTOP FORMAT.
You already have a controller you love. Maybe it’s an 88-key weighted board. Maybe it’s an Osmose or Seaboard. Maybe you’re sequencing everything from your DAW.
The 3rd Wave 24M gives you the complete flagship experience without a keyboard that you won’t use. Same 24 voices. Same four independent parts. Same analog filters and output stages. Just a smaller footprint and a friendlier price.
ZERO COMPROMISE
This isn’t a stripped-down version. The 24M runs the identical sound engine as the 24K keyboard, down to the component level: the Dave Rossum-designed 2140 analog filters, the SEM-style state-variable filters, the DC-coupled output stages, and the eight separate outputs for maximum routing flexibility.
Every patch you create on the 24M loads directly on the 24K, and vice versa. Your sounds travel with you.
FOUR PARTS. ENDLESS POSSIBILITIES.
With four independent parts, each with its own sound, sequence, effects routing, and dedicated stereo output, the 24M handles complete arrangements internally.
Layer massive pad stacks. Run four sequences simultaneously. Build entire tracks within a single preset. When you need to bounce stems, each part has its own output pair for clean separation.
Listen to the audio demos in uncompressed PCM quality below to hear the 24K in its full glory.
FIVE SYNTHESIS METHODS. EVERY SOUND.
The built-in Wavemaker lets you create up to 64 custom wavetables. Connect any audio source and generate wavetables at the touch of a button.
All five synthesis methods can be combined within a single patch, layered across oscillators to create sounds that would otherwise require multiple instruments.
Each of the three oscillators per voice offers:
- Classic PPG-era wavetables with the authentic imaging character and processing chain
- Modern high-resolution wavetables with Serum import
- Analog-modeled waveforms for subtractive synthesis
- Linear FM for complex harmonic textures
- Sampling that allows up to 8 audio samples across the keyboard
Hear the groove
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BUILT FOR YOUR WORKFLOW
The 24M integrates seamlessly with modern production setups. Full MIDI I/O via DIN and USB. MPE and polyphonic aftertouch support for expressive controllers. Eight outputs for multitrack routing or live sound. Clock sync for hardware sequencers.
The knob-per-function panel means you can program sounds without touching a mouse. When you need to go deeper, the 5-inch display and four encoders provide fast access to every parameter.
24M DESKTOP SPECIFICATIONS
24 Voices
4 Part Multitimbral
3 High-Res, Multiple Sample Rate, Digital Oscillators Per Voice
- 64 total user wavetable locations with 56 shipping wavetables that contain 64 waveforms per table
- 32 original 8 bit wavetables from the PPG 2 series instruments with room for 16 more user created 8 bit wavetables
- 7 high-resolution modeled analog waveforms (saw, square/pulse, triangle, sine, supersaw, white noise, pink noise)
- Linear FM – 3 Operator
- Sampling. 8 way multi-part. Loopable with seamless cross fading. 35 seconds at full bandwidth
- Oscillator Hard-Sync
- Optional wave flow section: 1. Wavetable interpolation on/off 2. Waveform, (pitch), interpolation on/off 3. PPG Upper Wavetable mode on/off
- Unison mode and chord mode with variable voice count
1 Analog Low-pass Filter
- Dave Rossum designed, classic, 2140 low-pass resonant filter
- 24 db per octave slope
- variable saturation amount
- optional resonance compensation
1 State-Variable Filter
- 12 db per octave slope
- Continuously variable between low-pass, notch, and high-pass, operation with optional band-pass mode
4 ADSR+ Delay Envelopes
- Filter, Amplifier, plus 2 additional envelopes switchable between exponential and vintage PPG-style response
- Freely assignable to multiple modulation destinations
- 6-stage wave envelope per oscillator with variable time and position that can be looped. Can be assigned to any destination
4 Low-Frequency Oscillators
- Triangle, sawtooth, reverse sawtooth, square, pulse 1, pulse 2, pulse 3, and random (S&H)
- Variable delay
- Note reset or free running
- Syncable to master clock BPM
- LFOs can be polyphonic or mono
2 digital effects (per part)
- BBD, stereo delay, tape delay, chorus, phaser, flanger, distortion pedal, rotating speaker with tube model, ring mod, room reverb, hall reverb, super plate reverb – Most modeled on famous hardware devices
- Syncable to master clock BPM
- Parameters modulatable via mod matrix
Built-In Custom Wavetable Maker
- “Sample-to-wave” functionality. Connect an audio source to the 3rd Wave’s Audio In port, press “Make Waves” and the audio is analyzed to create a custom wavetable
- Audio to convert is brought in as a 96 kHz wav file through USB
- Store up to 64 custom wavetables
- 64 waveforms per wavetable
- Accepts pitched or un-pitched material as input
- 96 kHz sampling rate
- 16, 24, or 32-bit resolution
- Audio up to 20 seconds can be analyzed
- Imports Serum™ wavetables
Pattern based with song mode
- Performs both Note and Parameter Sequencing
- 4 parts per sequence
- 24 patterns per 3rd Wave program
- Up to 32 measures per sequence
- Variable quantization resolution per sequence (32nd, 16th, 8th, quarter, half, whole note, or quantization off), that is settable in real time
- Variable swing
1 Arp per Multi-part
- Up, down, up/down, assign modes, and random
- Variable range (1, 2, or 3 octaves)
16 slot modulation matrix with 30 mod sources and 127 mod destinations
- 12 additional fixed-source mod paths with the same number of sources and destinations
- Modulation assignment buttons enable quick and easy modulation routing
- Mod Matrix runs at audio rates
- Sequencer can record and play mod parameter changes in real time
41 knobs and 43 buttons enable close to knob per function with minimal menu diving
- Responds to polyphonic after touch
- Responds to MPE (MIDI Polyphonic Expression)
500 factory programs. User rewritable
4 Stereo outputs (2x 1/4″ phone jack per part)
- Headphone out (stereo 1/4″ phone jack)
- MIDI In, MIDI Out, and MIDI Thru
- USB port for bidirectional MIDI communication
- Audio Input for creating user wavetables from external audio source (1/4″ phone jack). Audio Input can also route audio through the filters, Output chain, and effects
- Sustain/footswitch input
- Volume pedal input
- Expression pedal input
External universal input power supply (100-240V) 15 volt 45 watts
Shipping Box Dimmensions Imperial Units: 28” x 16” x 11” inches
Shipping Box Dimensions Metric: 71 cm x 41 cm x 28 cm
Shipping Weight Imperial Units: 15.5 lbs
Shipping Weight Metric: 7 kg
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